{"id":3975,"date":"2018-05-22T15:20:22","date_gmt":"2018-05-22T14:20:22","guid":{"rendered":"http:\/\/www.panariagroup.it\/panariagroup-vatican-chapels-xvi-mostra-internazionale-architettura-della-biennale-venezia\/"},"modified":"2020-01-29T14:26:24","modified_gmt":"2020-01-29T13:26:24","slug":"panariagroup-for-vatican-chapels-xvi-international-architecture-exhibition-of-the-venice-biennale","status":"publish","type":"post","link":"https:\/\/panariagroup.o-one.net\/en\/news\/panariagroup-for-vatican-chapels-xvi-international-architecture-exhibition-of-the-venice-biennale\/","title":{"rendered":"Panariagroup for Vatican Chapels, XVI International Architecture Exhibition of the Venice Biennale"},"content":{"rendered":"<p><strong>Panariagroup ceramic surfaces chosen for the Holy See Pavilion.\u00a0<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>Panariagroup<strong>\u00a0<\/strong>has been chosen for the construction of one of the buildings of the <strong>first Holy See Pavilion<\/strong> at the <strong>XVI International Architecture Exhibition of the Venice Biennale<\/strong>, which will be held from May 26th to November 25th 2018.<\/p>\n<p>&nbsp;<\/p>\n<p>The Group<strong>\u00a0<\/strong>has contributed to the construction the chapel by the architect <strong>Francesco Cellini<\/strong>, by providing him with the <strong>cutting-edge technology and the aesthetic qualities<\/strong> of large, thin slabs in <strong>laminated porcelain stoneware, <\/strong>an example of Italian industrial excellence.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><em>&#8220;The collaboration with the Holy See for this sixteenth edition of the Architecture Exhibition in Venice &#8211; <strong>says Emilio Mussini, president of the Panariagroup<\/strong> &#8211; is undoubtedly a unique opportunity to emphasize the properties of our materials that on their own succeed in giving the project a solemn tone combined with great lightness, perfectly in line with the spirituality of the chapel. We are therefore proud to continue our daily dialogue with architecture in a context of such high excellence.&#8221;<\/em><\/p>\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><div class=\"entry-content-gallery\"><div class=\"container\"><div class=\"single-post-gallery owl-carousel single-post-wrap\"><div class=\"single-post-container\"><div class=\"single-post-gallery-pic\" style=\"background-image: url( https:\/\/panariagroup.o-one.net\/wp-content\/uploads\/2017\/06\/vatican10-1170x540.jpg );\"><\/div><p class=\"single-post-gallery-desc\"><\/p><\/div><div class=\"single-post-container\"><div class=\"single-post-gallery-pic\" style=\"background-image: url( https:\/\/panariagroup.o-one.net\/wp-content\/uploads\/2018\/05\/vatican2-1170x556.jpg );\"><\/div><p class=\"single-post-gallery-desc\"><\/p><\/div><div class=\"single-post-container\"><div class=\"single-post-gallery-pic\" style=\"background-image: url( https:\/\/panariagroup.o-one.net\/wp-content\/uploads\/2018\/05\/vatican-1170x556.jpg );\"><\/div><p class=\"single-post-gallery-desc\"><\/p><\/div><\/div><\/div><\/div><div class=\"entry-content container\"><div class=\"single-post-wrap\"><div class=\"single-post-content\">\n<p>The Pavilion, entitled <strong>&#8220;Vatican Chapels&#8221;<\/strong> and curated by <strong>Professors Francesco Dal Co and Micol Forti<\/strong>, is inspired by the model of the Chapel in the Wood, built in 1920 by the famous architect Gunnar Asplund in the Stockholm Cemetery. It is divided into <strong>eleven chapels<\/strong>, each an interpretation by an <strong>internationally renowned architect, <\/strong>grouped together in the garden of the Cini Foundation on the island of San Giorgio Maggiore. The architects were <strong>given the freedom to explore the architectural concept of the chapel &#8211;<\/strong> defined by the Swedish architect as a place of orientation, meeting, meditation &#8211; giving their own personal understanding and vision to their building.<\/p>\n<p><strong>\u00a0<\/strong><\/p>\n<p><strong>The work of the architect Cellini<\/strong> and the Panariagroup bases the building on <strong>the use of the material and its interaction with the surroundings<\/strong>, with a rational architectural style that leaves ample space for reflection on the place and its significance.<\/p>\n<p>The structure is distinguished by its <strong>rectangular parallelepiped shape<\/strong> and by a central transept that intersects the ceiling perpendicularly, hosting the two main symbols of the chapel: the altar and the lectern. The project also shows the <strong>strong chromatic contrast<\/strong> made by the use of ultra-thin laminated stoneware slabs with a surface texture inspired by iron and glossy white slabs chosen to deliver effects from reflections of the natural environment within the building.<\/p>\n<p><strong>Clean and essential lines<\/strong> enhanced by the <strong>thin ceramic surfaces<\/strong> preserve the lightness and rationality of the architecture.<\/p>\n<p>&nbsp;<\/p>\n<p>This is an <strong>extraordinarily innovative<\/strong> material and the <strong>Panariagroup is proud to have been the first ceramics company to bring it onto the market<\/strong> and then to have confirmed their leadership by creating a wide range of thin, light materials in sizes of up to 100&#215;300 cm and 120&#215;260 cm. These revolutionary surfaces that, thanks to their <strong>reduced thicknesses<\/strong> (3.5 mm and 5.5 mm, 6 mm and 6.5 mm) and their strength, guarantee more <strong>flexibility<\/strong>, making their <strong>versatility<\/strong> and <strong>ease of use<\/strong> powerful advantages for all requirements in the world of architecture and interior design and <strong>the challenge of the Holy See\u2019s project.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>The ceramic slabs chosen for the project by the architect Cellini are from the Group\u2019s main Italian brands, Cotto d&#8217;Este, Lea Ceramiche and Panaria Ceramica<\/strong>. They are used to <strong>clad the interiors and exteriors of the structure<\/strong> and are combined to show the charm of an original architectural project while emphasising the technical and aesthetic qualities of the materials.<\/p>\n<p><strong><em><br \/>\n<\/em><\/strong><\/p>\n<p><strong><em>Vatican Chapels &#8211; Holy See Pavilion<\/em><\/strong><\/p>\n<p><em>16\u00b0 International Architecture Exhibition of the Venice Biennale<\/em><\/p>\n<p><em>San Giorgio Maggiore Island, Venice<\/em><\/p>\n<p><em>Preview May 24th\u00a0and 25th<\/em><\/p>\n<p><em>Open from May 26th to November 25th 2018<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Photo credits \u00a9Alessandra Chemollo<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Panariagroup ceramic surfaces chosen for the Holy See Pavilion.\u00a0 &nbsp;<\/p>\n","protected":false},"author":5,"featured_media":3971,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7],"class_list":["post-3975","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-events"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.7 - 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